Liquid Light on Metals
The Liquid Light process on metals is an innovative approach to analog photography with tactile and visual dimensions, a specialized adaptation of traditional darkroom techniques, applying a silver-based emulsion onto metal substrates to achieve a unique visual effect. This method was primarily developed during my MA research to explore texture, tone, and the tactile qualities of alternative photographic materials.
Chalenges
Metal Surface Challenges and Solutions
In the initial stages, various metal substrates were tested, each presenting distinct challenges. Polished steel, for instance, presented adhesion issues due to its smooth surface, causing the emulsion to peel off during the drying process. Similarly, copper failed to retain the emulsion effectively, likely due to a reactive chemical interaction that altered the emulsion's integrity upon exposure and development.
Successful Application on Aluminum
Ultimately, aluminum proved to be a suitable substrate, albeit with some limitations. Testing on a small 10×18 cm aluminum sheet yielded promising results: the Liquid Light adhered well and developed a unique silver tone, as opposed to the typical white seen on paper. This tonal shift adds a distinct aesthetic, while the aluminum’s surface also enhances the tactile quality of the image, allowing it to be felt as well as seen, which aligns closely with my conceptual themes.
Observations and Future Directions
While the 10×18 cm sample demonstrated successful adherence and image quality, further refinements are needed to scale this process effectively. The experiment’s results suggest potential applications for conceptual and tactile photography that deviates from traditional substrates, offering a unique viewer experience through enhanced texture and metal tone variation.
Vision
I am always looking for new experiments...
